2 ¾ / bronze / 2018
a becoming swan / 2016 / transparent scotch
b.o.r.e.d.s / orville and wilbur / 2017 / ostrich feathers / ironing boards
bacon gloves / 2017 / stainless steel
bird-in-flight / 2015 / plaster polystyrene
birdinflight / 2015 / plastic / polystyrene
building collapse / 2016 / polystyrene / wind
defying characteristics / 2015 / led / ostrich egg
did she influence him or did he influence her / transparent scotch / 2016 / dialogues on the
threshold / crypt gallery / london
pegasus / 2015 / plaster
promenades des sculptures / 2016 / battersea park
the stolen concorde: the myths of the twentieth century / 2015 / collage
puzzled / situating reality / 2016 /
half full and half empty / 2015 / collage
half fullhalf empty / 2017
objets à voir les défauts en claire / 2015 / cast glass
building collapse / performing sculpture / 2016 / battersea park
what you seek is seeking you / promenades des sculptures / 2016 / battersea park
analysability of the universe into basic building blocks / 2016 / plaster
re-shaped canvas / 2015 / rca drawing show / london
re-shaped canvas / performance tools / 2015 / rca drawing show / london
three studies of lucien freud: remeha gas 210 eco pro-160 / 2017 / plaster
study for a bullfight No1 / 2016 / plaster / mdf boards
a study for affectivity of a cat / 2016 / pencil
on/off: after man switching on the light / 2016 / polysterene /scotch
fuck up balls / 2016 / glass
guestbook / 2016 / ostracons
how to see your own ostrich / promenades des sculptures / 2016 / battersea park
progress-in-work / 2016 / rca sculpture studio / london
pink shadow / pink shadow released / 2016 / guggenheim museum / new york
study 2 for ostrich minus washing machine / 2016 / studio installation
study 1 for ostrich minus washing machine / 2016 / studio installation
ostriches don’t fly, neither do washing machines / 2016 / plaster / wood /mdf
ram-en-moi / 2018 / led
ruin-art / 2016 / cast glass
the new flyer / 2017 / plaster / iron